The Partially Examined Life Philosophy Podcast

On Jürgen Habermas' The Philosophical Discourse of Modernity (1985), featuring guest John Ganz.

 Habermas defines modernity as Enlightenment ideals, discusses what's wrong with them (subjectivity), how Hegel argues constructively that a social element needs to be added this this, and how many other critics (e.g. Adorno, Nietzsche, and Foucault) instead argue more destructively against Enlightenment values like Truth, liberty, and justice.

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Continuing on Rameau's Nephew, getting further into Rameau's philosophy and practices and trying to figure out what this anti-hero can tell us about ethics, given that he displays the virtue of being candid about his own vices.

We talk about "trade idioms" (unethical practices that we consider normal), education, and music. How does this reading relate to Hegel (who quotes it directly)?

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On Denis Diderot's Rameau's Nephew, a dialogue written in the 1760s. Is virtue necessary for happiness, or in the real world, is vice necessary to get by? Diderot's character Rameau argues the latter: that philosophical morality is problematic, and our imperative is prudence, which in Rameau's case involves a lot of clownish deception and (ironically) truth-telling.

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We discuss Steven Knight's six-seasons-and-a-movie historical crime show Peaky Blinders, featuring Mark, Lawrence, Sarahlyn, and Al. Does the show live up to its initial excellence? It's got a great emotional premise (post-WWI PTSD), and there's a ridiculous amount of gravitas among the cast, but do the heists undermine this heft?

It's OK if you haven't seen the show; we hold off on spoilers for quite a while and warn you when we reach that point.

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Alan released two albums with folk-rock band Knots and Crosses in the early 90s, put out one solo album, then became a recording engineer and earned a PhD in ethnomusicology. He released three albums between 2010-2019 fronting Birdsong at Morning and put out two more solo albums.

We discuss "Just Like Water" (and listen at the end to "Somewhere There's a Train") from Floating on the Dreamline (2026), "The Great Escape" by Birdsong at Morning from A Slight Departure (2015), and the title track to Curve of the Earth (1993) by Knots and Crosses. Intro: "Neon Dreaming," originally from Evidence (1994). More at alanwilliamsevidence.com.

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