The Partially Examined Life Philosophy Podcast

On. G.W.F. Hegel's The Phenomenology of Spirit (1807), sec. 438-463. What constitutes society? 

We're beginning a multi-episode arc here on the "Spirit" chapter of the book, so we learn what Spirit actually is and how it relates to individuals. We also talk about the two layers of law that make up society and how these can be in or out of harmony.

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John has released at least fifteen albums, more than half of these under the name King Missile, but even this name covers three different bands, since John until recently didn't play any instruments, so his music is always collaborative with one or more music writers. Apart from his various musical projects, he's published around 50 books of poetry and publishes poems every day on his Facebook page.

We discuss "Her Cock is True" from the yet-to-be-released King Missile album Quest for Fire, "Eating People" from The Psychopathology of Everyday Life (2003), and "Sensitive Artist" from Fluting on the Hump (1987). End song: "Garden" by You, Me and This Fuckin' Guy from Garden Variety Fuckers (2020). Intro: "Detachable Penis" from Happy Hour (1992).

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In our continuing Q&A with Graham, we engage him about Kantian Things-In-Themselves, complex things (that if divided, must be cut at the joints) vs. mere heaps, fact ontology, natural kinds, fictional objects, why philosophy is not knowledge, and philosophical style.

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Jerome is an LA composer/director/screenwriter who is involved in a lot of musical improv, so Mary and Mark interview him about that and about the function of art, plus songs for pets, a support group for people who sing all the time, and more.

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When we don't know much about some genius playwright's life, why not make up some things based on the contents of his plays? Maybe put Shakespearean dialogue right in character's mouths, so the audience will say, "hey, I remember that line!"

Mark, Lawrence, Sarahlyn, and Al talk through the Chloe Zhao Oscar-bait historical drama, Hamnet, and its source, the 2020 novel by Maggie O'Farrell. Is the film great, or just "grief porn"? Plus, Shakespeare in Love and other biopics.

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