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Is Pierre Bayle’s pioneering reference work, the Historical and Critical Dictionary, a monument to skepticism or to fideism?
The “Quietists” Jeanne Guyon and François Fénelon argue that self-love can be overcome by cultivating a “pure love” for God. Their reward: to be accused of heresy.
How the “neo-classical” tragedies of Racine explore the battle between passion and reason.
Molière’s famous comedies scandalize Paris and dramatize themes from French moralism, especially the danger of hypocrisy.